Society of Molecules: Sara Hagins
Society of Molecules : Tanja Schlander
Society of Molecules: Part I
Society of Molecules : Part I
Society of Molecules
Two year pilot program at Aalborg Midwife Center
I økologiske kriser: Omsorg mellem generationer og arter
AUNOVA
lím collective & ARIEL - Feminisms in the Aesthetics
Thinking Like a Forest - new social practices
Soiled Archives
Dorota Gawęda and Eglė Kulbokaitė-
- Hosted by BLADR
Fear and Fauna
ARTS OF REPAIR: PART 2: REFLECTIONS ON THE IMPORTANCE OF CARE WORK AND SEPARATISM
– Collaboration with Laboratory for Aesthetics and Ecology
We choose the birds' language
Eva Posas
Arts of Repair: Part 1: Reproductive Justice
– Collaboration with Laboratory for Aesthetics and Ecology
Hamra
Monia Ben Hamouda
Ariel is searching for her habits everywhere
Melanie Kitti
For Alberta and Victor, a collection of conjurings and opacities
La Vaughn Belle
– guest curated by Daniela Agostinho
A webshop through the Ages
Hannah Heilmann
Mobile Fragments
– Edna Bonhomme, Luiza Prado de O. Martins
In collaboration with Ida Bencke
Kunst Forskelle Fællesskaber
Yvette Brackman & Bettina Camilla Vestergaard
Songs From The Compost
Eglė Budvytytė
ARIEL PRESENTS Songs From The Compost, THE eigth EXHIBITION IN OUR FIRST exhibition cycle
Buenos días mujeres
Val Lee
Guest curated by Jo Ying Peng from Vernacular Institute.
Io Lib.
Marie Kølbæk Iversen
Will you feel comfortable in my corner?
Ndayé Kouagou
Gold Loop (Triad), 2020
Jen Liu
FCNNNews : The Archive
FCNN / FEMINIST COLLECTIVE WITH NO NAME
I know she is light and faithless / there is someone in the shadows/ flip-flops and changes / I bathed my snow skin / in a coral castle / fragrant plums breathe / waiting for the spring / pink air and an ocean of jelly fish
Astrid Svangren
Curtain Drop
Mathilde Carbel
Songs From The Compost
Eglė Budvytytė
ARIEL PRESENTS Songs From The Compost, THE eigth EXHIBITION IN OUR FIRST exhibition cycle
ARIEL is pleased to present the exhibition, Songs From The Compost, an exhibition which incorporates a sound-piece installation and a performance by Amsterdam-based Lithuanian artist Eglė Budvytytė.
The exhibition Songs From The Compost by Eglė Budvytytė comprises an installation of the sound-piece Songs From The Compost: Mutating Bodies, Imploding Stars and a closing performance of Some Were Carried, Some – Dragged Behind, marking the end of the exhibition.
Within a softly lit space, small sand dunes are gathered in the corners of a soft carpet inviting listeners to sit down and lean back into the otherworldly soundscape of the piece Songs From The Compost: Mutating Bodies, Imploding Stars, composed by Eglė Budvytytė. The soundtrack channels the desires of a narrator shapeshifting between different expressions of gender, voices and voice registers, and beyond-human embodiments. The soft haunting lyrics of the songs draw on the ideas of the biologist, Lynn Margulis, celebrating the role of bacteria in making life possible, and animates the collaboration between the single-celled organisms. In Songs From The Compost: Mutating Bodies, Imploding Stars, the tropes of symbiosis, mutation, and hybridity is given a sonic reconstruction that reaches out and utilises the intimate nature of the medium to connect to its audience. To challenge sociobiological causes of hierarchical violence, Budvytytė combines the biological science of the Earth’s most basic lifeforms with concepts from the authorship of science-fiction writer, Octavia Butler. In this norm-critical environment, a conscious lullaby for adults is formulated, Budvytytė’s tone of voice offers the utmost uncanny sort of cautiously monitored comfort. The mode and intensity shifts, inducing waves of drowsiness and alertness that runs down through the spine and into the body. As if to say, you were already here, in this world of unicellular organisms, trotting through these multilayers of socio-political meanings – welcome to Songs from the Compost. Relax, all is repetitive, all is soil, all is recycled.
The second part of Songs From The Compost takes place in the Spring, when Budvytytė presents her performance Some Were Carried, Some – Dragged Behind on May 8th. In public space where we are still trying to understand and give notice to the many ways that the pandemic situation stopped and altered our ways of being connected, the performance Some Were Carried, Some – Dragged Behind speaks to how we carry, uplift and support each other in a nurturing way, even if we feel alienated by the World and one another. Slowly and gently, small clusters of performers will be dragging and carrying each other through the squares and neighbouring streets of ARIEL. Resembling and drawing on the act of dragging bodies in public, that is mostly enacted by the authorities on disobedient bodies, the performance seeks to subvert these connotations through a shift of motion and speed into a caring and trustful surrender of bodies into hands of tenderness.
The exhibition Songs From The Compost collects sonic experimental as well as performative elements from Budvytytė's practice. Together, both Songs From The Compost: Mutating Bodies, Imploding Stars and Some Were Carried, Some - Dragged Behind articulate different ways in which we relate to each other and how this relationship affects our treatment of and shared responsibility for the Planet. Perceptibly, both works evoke a link to the Earth and all its creatures, where Budvytytė, in a present and alluring manner accentuates, how social hierarchies can be overthrown, and radically change existing societal systems.
UPDATE: The performance "Some Were Carried, Some – Dragged Behind" by Eglė Budvytytė will start at 12.00 -13.00 at the location of Frue Plads, 1168, København K. For further information on map and guiding please check our facebook and instagram.
Every Wednesday 3-6pm – and by special request – we are opening up the exhibition to private viewings in a period lasting until Sunday 9th of May. Send us an email to arielfeminisms@gmail.com and book an appointment to experience Eglė Budvytytės exhibition Songs From The Compost.
The exhibition is realised with the kind support of the Danish Arts Foundation and in collaboration with the Lithuanian cultural attaché in Sweden, Denmark and Finland, with the support from the Lithuanian Cultural Institute.
Biography: Eglė Budvytytė born in 1982, Lithuania, is an artist based in Amsterdam, working in the intersection between visual and performing arts. In her vocal and choreographic performances, she draws out relationships between bodies and their environments by either exploring codified behaviors in public spaces or the boundaries between the human and non-human. Her work was shown amongst others at Liste, Art Basel; 19th Biennale of Sydney; De Appel Arts Centre; CAC in Vilnius, and Stedeljik Museum in Amsterdam.
"Some Were Carried, Some – Dragged Behind" was performed by: Sanna Blennow, Aline Combe, Marina Dubia, Lucie Piot, Alice Presencer, Adrian Skjoldborg and Anabela Veloso.
Title: Amelia Groom. Lyrics, melodies, voices: Egle Budvytyte. Sound design: Steve Martin Snider
Images: Malle Madsen
Courtesy: ARIEL
From Saturday 20th of March – Sunday 9th of May the exhibition will be publicly accessible from the street level at ARIEL in the Women's Building. Through the exhibition period, the installation will be made accessible to the public by appointment only:
Every Wednesday 3-6pm – and by special request – we are opening up the exhibition to private viewings in a period lasting until Sunday 9th of May.
Send us an email to arielfeminisms@gmail.com and book an appointment to experience Eglė Budvytytės exhibition Songs From The Compost.
ARIEL will be monitoring the viewing with careful consideration to both the current and changing official guidelines for Covid-related regulations.
The project and exhibition is generously supported by:
Bikubenfonden
Statens Kunstfond
København Kommune, Rådet for Visuel Kunst
Lithuanian Cultural Institute
Tæppeland
MARI KANTER arkitekter
Decor Farver
faustlight
Flügger farver
STARK
Kvindernes Bygning
ARIEL – FEMINISMS IN THE AESTHETICS is a nomadic platform for curation and learning.
We engage with the personal, bodily, environmental and political ramifications of an unjust world and facilitate meeting points between institutions, practices and people across contexts and generations.
As a nomadic platform we are continuously seeking new relations, contexts and a deepening of knowledge. Our hope is to keep learning and collaborate to further broaden ARIEL’s feminist curatorial practice and research.
ARIEL consists of Nina Wöhlk, Leandro Ferre Caetano and Frederikke Planck Granvig.
Technician: Anthony Faroux
Photographer: Malle Madsen
ARIEL was founded in 2019, and co-directed with Karen Vestergaard Andersen until 2023, from 2021-2023 co-curated with Helen Nishijo Andersen, and from 2023-2024 with Karen Grønneberg and Claudine Zia.
During ARIEL's lifespan, both Mille Højerslev (from 2020–2023) and Louise Biller (in 2024) have contributed to the work of ARIEL.
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ARIEL PRESS publish and co-produce publications in connection with ARIEL's exhibitions and public events.
All publications support ARIEL's overall mission to nuance and illuminate a current and diverse field of intersectional feminist theory and art practice in the 21st century.
For following publications go to:
A BETTER LIFE FOR THE WORKERS (I) JEN LIU
I'M TRYING TO BUY LESS, HANNAH HEILMANN
HAWWA. MINORITETSGJORT FØDSEL OG MODERSKAB
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THE WOMEN'S BUILDING
ARIEL – Feminisms in the Aesthetics was founded in collaboration with the Women’s Building.
From 2019-2022 ARIEL hosted a diverse program of exhibitions available to the public 24/7 with the aim of building upon the groundbreaking work done by The Women’s Building.
By joining hands and contribute to the public discourse a multidisciplinary environment, that would reflect and support the many initiatives and organizations in the building, was assembled:
Danish Women’s Society, Intercultural Women’s Council, Women’s Artists’ Society, Women’s Council, Women in Music, Folkevirke and KFUK’s Social Work.
Visual identity; Alexis Mark.