Society of Molecules: Sara Hagins 

04.10.2025 – 03.04.2026

Society of Molecules : Tanja Schlander



03.10.2025 – 29.04.2026

Society of Molecules: Part I

01.10 – 29.04.2025

Society of Molecules : Part I

01.10 – 29.04.2025

Society of Molecules 

01.10.2025 – 29.04.2026

Two year pilot program at Aalborg Midwife Center

15.06.2025 – 29.04.2026

I økologiske kriser: Omsorg mellem generationer og arter
AUNOVA

,
31.12.2024 – 30.12.2026

lím collective & ARIEL - Feminisms in the Aesthetics



31.12.2023 – 30.12.2025

Thinking Like a Forest - new social practices

31.12.2023 – 30.12.2025

Soiled Archives
Dorota Gawęda and Eglė Kulbokaitė-
- Hosted by BLADR

23.08 – 08.09.2023

Fear and Fauna 

03.05 – 17.06.2023

ARTS OF REPAIR: PART 2: REFLECTIONS ON THE IMPORTANCE OF CARE WORK AND SEPARATISM
– Collaboration with Laboratory for Aesthetics and Ecology

26.10 – 27.10.2022

We choose the birds' language

Eva Posas


25.06.2022

Arts of Repair: Part 1: Reproductive Justice
– Collaboration with Laboratory for Aesthetics and Ecology

22.06.2022

Hamra

Monia Ben Hamouda

21.04 – 04.06.2022

Ariel is searching for her habits everywhere
Melanie Kitti

28.01 – 10.04.2022

For Alberta and Victor, a collection of conjurings and opacities

La Vaughn Belle

– guest curated by Daniela Agostinho


18.11.2021 – 15.01.2022

A webshop through the Ages

Hannah Heilmann


02.09 – 06.11.2021

Mobile Fragments

– Edna Bonhomme, Luiza Prado de O. Martins

In collaboration with Ida Bencke


24.06 – 21.08.2021

Kunst Forskelle Fællesskaber

Yvette Brackman & Bettina Camilla Vestergaard

20.05 – 05.06.2021

Songs From The Compost

Eglė Budvytytė

ARIEL PRESENTS Songs From The Compost, THE eigth EXHIBITION IN OUR FIRST exhibition cycle

18.03 – 08.05.2021

Buenos días mujeres

Val Lee

Guest curated by Jo Ying Peng from Vernacular Institute.

11.12.2020 – 06.03.2021

Io Lib.

Marie Kølbæk Iversen

ARIEL presents Io Lib., the sixth exhibition in our first program by Marie Kølbæk Iversen
08.10 – 28.11.2020

Will you feel comfortable in my corner?

Ndayé Kouagou


THE FIFTH EXHIBITION IN ARIEL’S FIRST EXHIBITION CYCLE PRESENTS Will you feel comfortable in my corner? – THE FIRST SOLO-EXHIBITION IN DENMARK BY WRITER AND PERFORMANCE ARTIST NDAYÉ KOUAGOU
07.08 – 03.10.2020

Gold Loop (Triad), 2020
Jen Liu

Presents the premiere of the video work Gold Loop (Triad), 2020, in three episodic parts
11.06 – 25.07.2020

FCNNNews : The Archive

FCNN / FEMINIST COLLECTIVE WITH NO NAME

PRESENTS THE THIRD EXHIBITION IN ARIEL’S FIRST EXHIBITION CYCLE BY FCNN / FEMINIST COLLECTIVE WITH NO NAME, AN OPEN ARTIST COLLECTIVE COMPRISED OF ARTISTS LIL B. WACHMANN, DINA EL KAISY FRIEMUTH AND FILMMAKER ANITA BEIKPOUR.
19.02 – 27.03.2020

I know she is light and faithless / there is someone in the shadows/ flip-flops and changes / I bathed my snow skin / in a coral castle / fragrant plums breathe / waiting for the spring / pink air and an ocean of jelly fish

Astrid Svangren

THE SECOND EXHIBITION IN OUR FIRST CYCLE WAS A NEW COMMISSION WORK BY DANISH-SWEDISH ARTIST ASTRID SVANGREN.
19.12.2019 – 23.01.2020

Curtain Drop

Mathilde Carbel

CURTAIN DROP WAS THE INAUGURAL EXHIBITION OF ARIEL’S FIRST EXHIBITION CYCLE AND THE FIRST SOLO PRESENTATION IN DENMARK BY MATHILDE CARBEL.
10.10 – 28.11.2019
ABOUT

Songs From The Compost

Eglė Budvytytė

ARIEL PRESENTS Songs From The Compost, THE eigth EXHIBITION IN OUR FIRST exhibition cycle

18.03 – 08.05.2021

ARIEL is pleased to present the exhibition, Songs From The Compost, an exhibition which incorporates a sound-piece installation and a performance by Amsterdam-based Lithuanian artist Eglė Budvytytė.

The exhibition Songs From The Compost by Eglė Budvytytė comprises an installation of the sound-piece Songs From The Compost: Mutating Bodies, Imploding Stars and a closing performance of Some Were Carried, Some – Dragged Behind, marking the end of the exhibition.

Within a softly lit space, small sand dunes are gathered in the corners of a soft carpet inviting listeners to sit down and lean back into the otherworldly soundscape of the piece Songs From The Compost: Mutating Bodies, Imploding Stars, composed by Eglė Budvytytė. The soundtrack channels the desires of a narrator shapeshifting between different expressions of gender, voices and voice registers, and beyond-human embodiments. The soft haunting lyrics of the songs draw on the ideas of the biologist, Lynn Margulis, celebrating the role of bacteria in making life possible, and animates the collaboration between the single-celled organisms. In Songs From The Compost: Mutating Bodies, Imploding Stars, the tropes of symbiosis, mutation, and hybridity is given a sonic reconstruction that reaches out and utilises the intimate nature of the medium to connect to its audience. To challenge sociobiological causes of hierarchical violence, Budvytytė combines the biological science of the Earth’s most basic lifeforms with concepts from the authorship of science-fiction writer, Octavia Butler. In this norm-critical environment, a conscious lullaby for adults is formulated, Budvytytė’s tone of voice offers the utmost uncanny sort of cautiously monitored comfort. The mode and intensity shifts, inducing waves of drowsiness and alertness that runs down through the spine and into the body. As if to say, you were already here, in this world of unicellular organisms, trotting through these multilayers of socio-political meanings – welcome to Songs from the Compost. Relax, all is repetitive, all is soil, all is recycled.

The second part of Songs From The Compost takes place in the Spring, when Budvytytė presents her performance Some Were Carried, Some – Dragged Behind on May 8th. In public space where we are still trying to understand and give notice to the many ways that the pandemic situation stopped and altered our ways of being connected, the performance Some Were Carried, Some – Dragged Behind speaks to how we carry, uplift and support each other in a nurturing way, even if we feel alienated by the World and one another.  Slowly and gently, small clusters of performers will be dragging and carrying each other through the squares and neighbouring streets of ARIEL. Resembling and drawing on the act of dragging bodies in public, that is mostly enacted by the authorities on disobedient bodies, the performance seeks to subvert these connotations through a shift of motion and speed into a caring and trustful surrender of bodies into hands of tenderness.

The exhibition Songs From The Compost collects sonic experimental as well as performative elements from Budvytytė's practice. Together, both Songs From The Compost: Mutating Bodies, Imploding Stars and Some Were Carried, Some - Dragged Behind articulate different ways in which we relate to each other and how this relationship affects our treatment of and shared responsibility for the Planet. Perceptibly, both works evoke a link to the Earth and all its creatures, where Budvytytė, in a present and alluring manner accentuates, how social hierarchies can be overthrown, and radically change existing societal systems.

UPDATE: The performance "Some Were Carried, Some – Dragged Behind" by Eglė Budvytytė will start at 12.00 -13.00 at the location of Frue Plads, 1168, København K. For further information on map and guiding please check our facebook and instagram.

Every Wednesday 3-6pm – and by special request – we are opening up the exhibition to private viewings in a period lasting until Sunday 9th of May. Send us an email to arielfeminisms@gmail.com and book an appointment to experience Eglė Budvytytės exhibition Songs From The Compost.

The exhibition is realised with the kind support of the Danish Arts Foundation and in collaboration with the Lithuanian cultural attaché in Sweden, Denmark and Finland, with the support from the Lithuanian Cultural Institute.

Biography: Eglė Budvytytė born in 1982, Lithuania, is an artist based in Amsterdam, working in the intersection between visual and performing arts. In her vocal and choreographic performances, she draws out relationships between bodies and their environments by either exploring codified behaviors in public spaces or the boundaries between the human and non-human. Her work was shown amongst others at Liste, Art Basel; 19th Biennale of Sydney; De Appel Arts Centre; CAC in Vilnius, and Stedeljik Museum in Amsterdam.

"Some Were Carried, Some – Dragged Behind" was performed by: Sanna Blennow, Aline Combe, Marina Dubia, Lucie Piot, Alice Presencer, Adrian Skjoldborg and Anabela Veloso.

Title: Amelia Groom. Lyrics, melodies, voices: Egle Budvytyte. Sound design: Steve Martin Snider

Images: Malle Madsen

Courtesy: ARIEL


From Saturday 20th of March – Sunday 9th of May the exhibition will be publicly accessible from the street level at ARIEL in the Women's Building. Through the exhibition period, the installation will be made accessible to the public by appointment only:

Every Wednesday 3-6pm – and by special request – we are opening up the exhibition to private viewings in a period lasting until Sunday 9th of May.

Send us an email to arielfeminisms@gmail.com and book an appointment to experience Eglė Budvytytės exhibition Songs From The Compost.

ARIEL will be monitoring the viewing with careful consideration to both the current and changing official guidelines for Covid-related regulations.

The project and exhibition is generously supported by:
Bikubenfonden
Statens Kunstfond
København Kommune, Rådet for Visuel Kunst
Lithuanian Cultural Institute
Tæppeland
MARI KANTER arkitekter
Decor Farver
faustlight
Flügger farver
STARK
Kvindernes Bygning



ARIEL – FEMINISMS IN THE AESTHETICS is a nomadic platform for curation and learning.

We engage with the personal, bodily, environmental and political ramifications of an unjust world and facilitate meeting points between institutions, practices and people across contexts and generations.

As a nomadic platform we are continuously seeking new relations, contexts and a deepening of knowledge. Our hope is to keep learning and collaborate to further broaden ARIEL’s feminist curatorial practice and research.

ARIEL consists of Nina Wöhlk, Leandro Ferre Caetano and Frederikke Planck Granvig.

Technician: Anthony Faroux
Photographer: Malle Madsen

ARIEL was founded in 2019, and co-directed with Karen Vestergaard Andersen until 2023, from 2021-2023 co-curated with Helen Nishijo Andersen, and from 2023-2024 with Karen Grønneberg and Claudine Zia.

During ARIEL's lifespan, both Mille Højerslev (from 2020–2023) and Louise Biller (in 2024) have contributed to the work of ARIEL.

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ARIEL PRESS publish and co-produce publications in connection with ARIEL's exhibitions and public events.

All publications support ARIEL's overall mission to nuance and illuminate a current and diverse field of intersectional feminist theory and art practice in the 21st century.

For following publications go to:

A BETTER LIFE FOR THE WORKERS (I) JEN LIU
I'M TRYING TO BUY LESS, HANNAH HEILMANN
HAWWA. MINORITETSGJORT FØDSEL OG MODERSKAB

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THE WOMEN'S BUILDING
ARIEL – Feminisms in the Aesthetics was founded in collaboration with the Women’s Building.

From 2019-2022 ARIEL hosted a diverse program of exhibitions available to the public 24/7 with the aim of building upon the groundbreaking work done by The Women’s Building.

By joining hands and contribute to the public discourse a multidisciplinary environment, that would reflect and support the many initiatives and organizations in the building, was assembled:

Danish Women’s Society, Intercultural Women’s Council, Women’s Artists’ Society, Women’s Council, Women in Music, Folkevirke and KFUK’s Social Work.

Visual identity; Alexis Mark.

YGRG ARCHIVE